Adabanyak pertanyaan tentang create a dialogue based on the following situations beserta jawabannya di sini atau Kamu bisa mencari soal/pertanyaan lain yang berkaitan dengan create a dialogue based on the following situations menggunakan kolom pencarian di bawah ini. Definingdialogue; 1. Make your written dialogue cut to the chase; 2. Blend dialogue with descriptive narration well; 3. Use dialogue to reveal key character information; 4. Learn how to write dialogue that drives plot; 5. Avoid unnecessary, distracting or absurd dialogue tags; 6. Use specific dialogue to illustrate general relationships and situations; 7. Alinear regression equation takes the same form as the equation of a line, and it's often written in the following general form: y = A + Bx. Here, 'x' is the independent variable (your known value), and 'y' is the dependent variable (the predicted value). The letters 'A' and 'B' represent constants that describe the y-axis Inthis engaging making suggestions worksheet, students complete and write suggestions from a set of prompts. Students read each statement on the worksheet, look at a picture prompt and complete or write a suggestion. For prompts 1 to 9, students complete the suggestion. For prompts 10 to 14, students write a suggestion using one of four phrases. Also read the following dialogues: 1. Dialogue between Two friends about cyber crimes 2. Dialogue between two friends about school memories 3. Dialogue between two friends about hostel life 4. Dialogue between bookseller and a student 5. A dialogue between the bus conductor and passenger 6. A dialogue between two friends about holidays berikut satuan ukuran memori yang paling kecil adalah. Writing good dialogue is not just about quippy lines and dramatic pauses. It's about propelling the story forward, pulling the reader along, and fleshing out characters and their dynamics right in front of the readers. Well-written dialogue has the potential to take your story to a whole new level. Here's how to write great dialogue in 9 steps 1. Skip the greetings and small talk 2. Keep to three dialogue beats 3. Use action beats 4. Don’t be afraid to use said’ 5. Add variety to your dialogue scenes 6. Avoid excessive exposition 7. Use catchphrases or quirks in moderation 8. Know that characters don’t always mean what they say 9. Remember that less is more 👀 Which dialogue tag are YOU? Find out in just a minute. 1. Skip the greetings and small talk Alfred Hitchcock once said that “drama is life with all the boring bits cut out.” Similarly, we could say that good dialogue is like a real conversation without all the fluff. Think about it very few “classic” scenes start with characters saying “Hey buddy! How are you doing? Wow, long time no see. Parking was a nightmare.” These lines don’t add anything to the story, and they are said all the time. Are you willing to repeat this prelude for every scene where the characters meet? Probably not, nor do your readers want to sit through it. Readers can infer that all these civilities occur, so you can go ahead and skip forward to get to the meat of the conversation. For a more tangible example of this technique, check out the dialogue-driven opening to Barbara Kingsolver's novel, Unsheltered. 2. Keep to three dialogue beats Outlined by screenwriter Cynthia Whitcomb, the Three-Beat Rule advises writers to have a maximum of three dialogue beats at a time, after which you should insert a dialogue tag, action beat, or another character’s speech. Dialogue “beats” can be understood as the short phrases in speech that you can say without pausing for breath. Sometimes they correlate with actual sentences, sometimes they don’t. Here’s an example from Jane Gardam’s short story, “Dangers”, in which the boy Jake is shooting an imaginary gun at his grandmother Now, you may point out that classic books often don’t follow this rule — that’s because dialogue conventions have changed over time. Nowadays, a lengthy and unbroken monologue unless it’s been effectively built up to be an impassioned outburst or revelation tends to feel dated and awkward. Readers also lose their attention and interest easily in the face of long speeches, so the Three-Beat Rule is definitely one to follow! FREE COURSE How to Write Believable Dialogue Master the art of dialogue in 10 five-minute lessons. 3. Use action beats While we’re on the topic of beats, let’s take a look at another kind — action beats. These are descriptions of the expressions, movements, or even internal thoughts that accompany the speaker’s words. They’re included in the same paragraph as the dialogue, to indicate that the person acting is also the person speaking. Action beats can keep your writing varied, avoiding the need for a long list of lines ending in he said’ or she said’. They can also be used to manage the pace of a dialogue-heavy scene. Furthermore, they can illustrate and add context to the conversation, so that readers can gauge the significance of the scene beyond what was being said. These beats are a commonly used technique so you can find plenty of examples — here’s one from Never Let Me Go by Kazuo Ishiguro. 4. Don’t be afraid to use said’ Said’ gets a bad rap for being boring and overused as a dialogue tag, especially in school. But in the book-writing world, this simple tag is favored over more descriptive ones like exclaimed,’ declared,’ or the many other words used to replace said.’ Pro-tip While we cannot stress enough the importance of "said," sometimes you do need another dialogue tag. Download this free cheatsheet of 270+ other words for said to get yourself covered! FREE RESOURCE Get our Dialogue Tag Cheatsheet Upgrade your dialogue with our list of 270 alternatives to “said.” The thinking goes that most of the time, readers don’t notice words like said’ because their attention is rightfully on what’s actually being spoken. As writer Elmore Leonard puts it “Never use a verb other than said’ to carry dialogue. The line of dialogue belongs to the character; the verb is the writer sticking his nose in. But said’ is far less intrusive than grumbled,’ gasped,’ cautioned,’ lied.’” To never use other verbs might be a drastic measure, but you definitely do not want to overcrowd your dialogue with fancy tags and risk taking readers out of a scene for a brief display of verbal virtuosity. If bestsellers like Daphne du Maurier's Gothic novel, Rebecca, features said’ on a regular basis, then your book can, too. 5. Add variety to your dialogue scenes This tip is all about exceptions to some of the tips we’re sharing here. Learning how to write good dialogue isn’t about strictly following rules but rather learning what technique to use when, and emphasizing what's actually being said between characters. If you stick to one rule the whole time — if you only use said,’ or you finish every dialogue line with an action beat — you’ll quickly wear out readers. See how unnaturally it plays out in the example below with Sophie and Ethan The key, then, is to have variety in structure and use of dialogue tags or action beats throughout a scene — and by extension, throughout your book. Make said’ the default, but be flexible about changing it whenever a description of the characters or a more elaborate dialogue tag can add nuance to the scene! 🎵 Tell us about your book, and we'll give you a writing playlist It'll only take a minute! 6. Avoid excessive exposition Exposition is always a tough nut to crack when writing — finding an organic, timely, and digestible way to reveal important background information can be quite the challenge. It might seem natural to slot some exposition into dialogue in order to avoid overt narrative digressions, but it’s far from a sure-fire solution to your problem. This is mostly because speech-based explanations can quickly become unnatural. Characters might speak for too long, with too much detail on things that they really might not think about, remember, or comment on in the story’s context think “I’m just going to the well, mother — the well that my brother, your son, tragically fell down 5 years ago…”. Just because it’s a conversation doesn’t mean that info-dumps can’t happen. As such, be careful when carrying out dialogue-based exposition. It’s usually good to have at least one character who doesn’t fully understand what’s happening, so that you can offer explanations relatively naturally — rather than explaining things just for the sake of the readers. For instance, in The Godfather, readers get their first look at the Corleones through Michael's introduction of his family to his girlfriend. Kay Adams is Michael’s date at his sister’s wedding in this scene. Her interest in his family is natural enough that the expository conversation doesn’t feel shoehorned in. 7. Use catchphrases or quirks in moderation Giving a character a catchphrase or quirk — like Jay Gatsby’s “old sport” or Dolores Umbridge’s “hem hem” — can give them a distinctive, recognizable voice. But as with all character quirks, they work best when you don’t go overboard with them. Firstly, you don’t want your character to repeat this catchphrase too frequently, otherwise, readers might find it jarring. Remember what Elmore Leonard said about the writer intruding? If you inject the quirk too much, you might become visible on the page. Secondly, you also want to avoid giving too many characters their own quirks. Gatsby and Umbridge’s voices stand out because no one else has something as memorable about their speech. Moreover, each quirk reveals something about the character Gatsby impersonates a gentleman in his speech and lifestyle; Umbridge works to maintain her image of composure in contrast to the disarray of Hogwarts under the direction of Dumbledore. You therefore want to think carefully about your character’s voice, and use catchphrases and quirks only when they really have something to say about your character. 🖊️ Which famous author do you write like? Find out which literary luminary is your stylistic soulmate. Takes one minute! 8. Know that characters don’t always mean what they say Just as “I’m good” in response to a friendly “How are you?” might not actually mean that you’re good, characters can also say things that don’t reflect the truth. Creating dialogue that places emphasis on what’s not said the subtext can make your story that much more realistic and compelling. To do this, you can apply the classic rule of “show, don’t tell”. Use action beats and descriptions to provide clues that can be read between the lines. Let’s revisit Sophie and Ethan in this example While Sophie claims she hasn’t been obsessing over this project all night, the actions in between her words indicate that there’s nothing on her mind but work. In weaving personality traits into the conversation through action beats, rather than describing Sophie as hardworking or using a “she lied” dialogue tag, you give readers a chance to organically get to know the characters. FREE COURSE Show, Don't Tell Master the golden rule of writing in 10 five-minute lessons. 9. Remember that less is more Our final tip is more of a reminder than anything. With a “less is more” mentality, you can cut out unnecessary bits of dialogue the “boring bits” from tip 1 and focus on making sure the dialogue you do keep matters. Good writing is intentional and purposeful — it always strives to keep the story going and readers engaged — so the importance lies in quality rather than quantity. One particular point we haven’t really addressed is repetition. If used well with clear intentions, repetition is a literary device that can help you build motifs and flesh out themes in your writing. But when you’re writing dialogue and find yourself repeating well-established pieces of information, it might be a good time to step back and revise your work. For instance, here’s a scene with Sophie and Ethan later on in the story Having Sophie mention that they’ve been working together since the transfer feels repetitive without really adding anything to the conversation. Instead of rephrasing this bit of info, consider cutting Sophie’s line altogether or adding something else, like “I can’t believe we’re talking about this again”, to increase the tension between the characters. The point is, a good dialogue is often a place where character dynamics can play out. Including needless phrasings or repetitions may decrease the strength of that interaction, and waste valuable space in a scene. If you’re verging on repeating yourself, it’s better to write less and let the readers infer more. We know that writing dialogue can be intimidating, especially if you don’t have much experience with it. But that should never keep you from including it in your work! Just remember that the more you practice — especially with the help of these tips — the better you’ll get. And once you’re confident with the conversational content you can conjure up, follow along to the next part of our guide to see how you can punctuate and format your dialogue flawlessly. Create a dialogue on making an introduction based on the following situations1. You introduce your boyfriend/girlfriend to a long-time friend during a high school You are strolling at the mall with your mother when you suddenly bumped into your teacher in senior You were tasked to introduce the guest speaker of the seminar that your school organization your answer in handwritten format Situasi yang digambarkan oleh kalimat tersebut adalah salah satu temanmu akan menjalani ujian akhir dan kamu bertemu dengannya di jalanan. Ekspresi dapat digunakan untuk membentuk dialog berdasarkan situasi tersebut adalah expression of hope untuk berharap agar temanmu mendapatkan hasil yang terbaik. Mulailah dialog dengan terlebih dahulu bertukar sapaan. Berikut contoh dialog yang dapat dibentuk. Jadi, jawaban yang benar adalah You Hi, John. What are you doing here? Friend Hi, Jimmy. I'm going to my friend's house to study together for tomorrow's final examination. You Oh, I see. I hope you'll get the best results for your final examination. Friend Thank you, Jimmy. By Last updated August 16, 2022 Hotels. Business meetings. Taxis. You may know how to use English in these places. You may know the right English phrases to book a room for the night, to make a business deal, to use transportation. But other conversations can be more… personal. Conversations between friends are something your textbook or English class may not have prepared you for. The truth is, casual conversations in a language you’re still learning can be even more difficult than formal conversations. After all, in formal situations you know you need to be polite. You can find out what phrases to use, and memorize them. In casual conversations, it isn’t as important to use particular phrases. For example, you don’t have to say, “Hello, how are you?” every time you meet a friend. But there are still certain phrases for informal conversation that are useful to know. Conversations also tend to follow certain patterns, even when the people having them know each other well. Below are some examples of how to make small talk, make plans and have personal conversations, shown through example dialogues between two friends in English. Download This blog post is available as a convenient and portable PDF that you can take anywhere. Click here to get a copy. Download 6 Typical Conversations Between Two Friends in English Greetings and Small Talk Some people think of small talk unimportant, expected conversation as being shallow not honest or “real”. But it’s something that we do to make each other comfortable. For example, asking about someone’s job or how they’re doing is a way of showing that you care, and these questions can lead to more personal and interesting conversation. It’s true that close friends may not use small talk as much as people who don’t know each other well. But there are still times when using small talk with friends makes sense. For example, if you meet an old friend who you haven’t seen in a long time, or if you’re meeting with a friend who you just don’t see every day. Let’s look at a couple of conversations below to see what those situations might sound like. Conversation 1 Conversations Between Friends Here, we’re actually going to look at a video clip that contains two conversations. This clip can also be found on FluentU with interactive captions and a transcript with playable audio. Let’s read along to the conversations in the above video Sam Oh? Bob! Bob Hey Sam! Good to see you! Sam How’s it going? Bob Yeah, good. Working a lot. And you? Sam I went back to school. Bob Good for you! Mike and Jim Jim Mike? Mike Jim? Jim What have you been up to? Mike Working a lot. Jim That sounds hard. Mike How’s the family? Jim Everyone is good. Thanks! Now, let’s look at some useful phrases from the dialogues above. Useful Phrases “Good to see you!” This is a nice way to greet someone when you haven’t seen them in a while. “How’s it going?” This is a common greeting in English, like “How are you?” Don’t be surprised if you say this to someone and they don’t respond, or say “Yeah, how’s it going?” back. Bob replies to this question with “Yeah, good.” This might seem a little weird because Sam didn’t ask a yes or no question. But in this case, “yeah” doesn’t have any special meaning. It’s just a way to acknowledge Sam’s question and move on. “Good for you!” This is a nice way to congratulate a friend on their successes or accomplishments. Conversation 2 Meeting Up with a Friend at a Restaurant Small talk can happen with close friends who you see regularly and with friends you don’t see as often. Here’s an example of a conversation that could happen between two friends who know each other pretty well. Nathan Hey, Alicia? Alicia Oh hey, I didn’t see you there. Did you already get a table? Nathan Yeah, right over here. Alicia I’m glad we had time to meet up. Nathan Me too. So, what’s going on? Alicia Oh, not much. You? Nathan Not much. Hey, how did your interview go? Wasn’t that today? Alicia Oh, yeah. I think it went well. I don’t know if I got the job yet, but they said they would call in a few days. Nathan Well, I’m sure you did great. Good luck. Alicia Thanks. I’m just happy that it’s over. I was really nervous about it. Nathan I can understand that. I get nervous before interviews, too. Alicia Well, thanks for being supportive. I appreciate it. Nathan Sure, no problem. Useful Phrases “I’m glad we had time to meet up.” If you’re meeting a friend you don’t see every day, this is a nice way of saying that you appreciate them making an effort to see you. Other ways of saying this could be, “Thanks for making time to see me” or “We should do this more often.” “What’s going on?” Like with “How’s it going?” the other person might not always reply to this question. If they do, they’ll probably either actually tell you what’s going on, or just say, “Not much.” In the conversation above, Nathan and Alicia both say “not much” is going on with them, but then they end up talking about Alicia’s interview. This is pretty common. A person might sometimes even reply “not much,” and then immediately start talking about all the things that actually are going on. “I can understand that.” This is a good phrase to acknowledge a friend’s feelings or opinions. “Sure, no problem.” This is a casual way of saying “You’re welcome” when someone thanks you. Making Plans with Friends To see your friends in the first place, you have to make plans with them. Here are a couple of conversations that show how that could go. Conversation 1 Inviting a Friend for a Movie John Hello, Bob! Bob Hi, John! John Are you free this weekend? Bob I think so, why? John Want to see a movie? Bob Sure. John Great! Useful Phrases “Are you free this weekend?” This is a friendly, common way to open a conversation when you’re going to ask someone to do something with you. Conversation 2 Making Plans for a Get-together In the conversation above, Bob and John decide to see a movie together. But they don’t decide on what to see, or an exact time. Hopefully they’ll talk about this later—otherwise they won’t know what they’re doing! Below, we’ll look at a more detailed conversation about making plans. Trudy Hey, so I’m having a party at my place next weekend. Do you want to come? Lee Sure! That sounds like fun. Who else is coming? Trudy Let’s see. I think it’s going to be Jerome, Talia, Anna, Juan, Celeste, Michelle and possibly Jamie. It’s not really going to be a party, more like a small get-together. I’m cooking dinner, and we can just hang out. Lee What time should I be there? Trudy Oh, anytime between 6 and 7 would be fine. Lee Can I bring anything? Trudy Oh, don’t worry about it. I have everything covered. Lee Can I at least bring a bottle of wine? Trudy Well, I’m not going to say no to wine. I’m sure that would be appreciated. Lee I’ll do that, then. Thanks for inviting me. Useful Phrases “That sounds like fun.” If someone invites you to an event, or just invites you to do something with them, this is a nice way to say “yes.” “Can I bring anything?” In the and some other English-speaking areas, this is a polite question to ask if someone invites you to a dinner, party or holiday event where there’s going to be food. It’s usually appropriate and sometimes even expected! to ask this question even if the person who invited you is a close friend or family member. Having Personal Conversations with Friends Once you’ve made plans and greeted your friends, all that’s left to do is just… well, be a friend. Friends go to each other for help, for advice and when they want to share their opinions and experiences. Conversations that are more personal are usually less structured and follow fewer rules. But there are still phrases that English speakers tend to use a lot in personal conversations, and there are still certain speech patterns we follow to show support for our friends. Let’s look at some examples. Conversation 1 A Friend’s Advice Makayla Hi, Gemma. You look terrible! Gemma Hey, Makayla. Mmm, I haven’t slept. Makayla Are you OK? What’s the matter? Gemma Well, you know that photo I sent to Clare on Friday night? Makayla Yeah? Gemma Well, she sent it to Justin. Makayla Oh no! How could she do that? It obviously was only for her. Gemma I know! I thought she’d find it funny. Makayla Well, it was quite funny. But you didn’t expect her to send it to anyone. Gemma No, of course not! Especially not Justin! Oh, it’s so embarrassing! Makayla Ah well, don’t worry. I know how you feel, though. Gemma And what if he puts it on Facebook or something? What if my mum sees it? Makayla No no, don’t worry. He won’t. It’s not that interesting for him or anyone else, to be honest. Gemma But what if he does? Makayla He won’t. But maybe ask Clare to speak to Justin… Get him to delete the photo? Gemma Yeah, maybe. But that might just make him even more interested. Makayla Yeah, true. Gemma What do you think I should do? Makayla Mmm… I’d just try to forget about it if I were you. Gemma But I’m so annoyed with Clare! Makayla Maybe speak to Clare, tell her how you feel. She shouldn’t be sharing people’s private photos. Gemma Okay, yeah. Thanks for the advice, Makayla. I’ll talk to her. Makayla Good idea. And don’t worry. Just be careful and don’t send any more embarrassing photos! Gemma Yeah, I know, I know. I won’t. Note The dialogue above is in British English. The only difference in how this conversation might go in American English is that Gemma would probably say “mom” instead of “mum.” Also, Americans tend to use “quite” less than British people. Useful Phrases “Are you okay?” / “What’s the matter?” The above two phrases are good for checking on your friends if it seems like something might be wrong. “What do you think I should do?” It isn’t always obvious when you’re looking for advice, in any language. If you want to know what a friend thinks you should do in a situation, just ask like this! “I know how you feel.” This is a good general phrase for showing sympathy, and it might not always be used literally. For example, we have no idea if Makayla really does know how Gemma feels. But what Makayla seems to be saying is that Gemma’s feelings still matter, even if the situation itself isn’t that bad. However, you may want to be careful of using this phrase if someone is telling you about a situation that you obviously can’t understand personally. In a case like that, it could seem rude and self-centered. Instead, you can say, “That sounds terrible.” Conversation 2 Talking About Opinions on a Book Friends can help you when you’re having problems. They’re also there to listen when you just want to talk about your feelings and opinions. Nina So I don’t know what you thought about the book, but I had a lot of mixed feelings about it. Sean Oh, really? Like what? Nina Well, I thought the main character’s situation was interesting, but his attitude toward women bothered me. Sean I can see that. It definitely seemed like he had some problems with women. Nina I would have liked to understand how that started. I mean, the book didn’t go into too much detail about why he felt that way. Sean I agree with that. I think the author could have handled that part better. I did enjoy the descriptions, though. Nina Oh yes, the writing was beautiful! That just made me more disappointed in the character. Sean Well, this is just my opinion, but maybe the character would have been easier to understand if the writing had been simpler. It seemed like the author spent a lot of time on the descriptions, when he could have spent more time on the character’s thoughts. Nina I’m not sure if I agree with that. I just think that the writing could have been more thoughtful while still being beautiful, if that makes sense. Sean That does make sense. I think maybe the problem for me is just that not much actually happened. Nina You’re right about that. There wasn’t much of a story. Sean I still enjoyed parts of the book, though. Nina Oh, I did, too. And I appreciate hearing your point of view. Useful Phrases “I don’t know what you thought about…” This is a nice way to let someone know that you would be open to hearing their thoughts. “I can see that.” This is a good way to acknowledge someone’s thoughts, whether or not you agree with them. “I agree with that.” / “I’m not sure if I agree with that.” “I’m not sure if I agree with that” is nicer than “I don’t agree with you.” “…if that makes sense.” This is a common way that people end sentences when giving their opinions or explaining something. Often, this has the meaning of “Does that make sense?” or “Do you understand what I mean?” Apart from all these phrases, there are thousands more that native speakers use on a daily basis. You don’t have to learn all of them at once, but you can start with the ones included in this awesome video from FluentU’s English YouTube channel FluentU English will only teach you things native speakers use, so you can be sure your conversations will be natural. Subscribe to the channel today and enjoy all the goodies it has to offer. Your friends will be amazed at your conversation skills! Good friendships are rewarding and worthwhile, no matter what language you speak with your friends. Hopefully, the above conversations between two friends have given you a better idea of how to be a good friend in English. Download This blog post is available as a convenient and portable PDF that you can take anywhere. Click here to get a copy. Download

create a dialogue based on one of the following situations